Review of Mistress America (2015) by Ted N — 14 Aug 2015

Another Baumbach classic. In 84 fleetingly glorious minutes, he once again skirts around generational conflicts, this time exploring the idea of the person we present to the world and the vast differences discovered underneath the façade. In essence, Baumbach portrays the youthful longing to be older and successful (through an unexpectedly delightful Lola Kirke performance) and also the regrets and false nature of those undergoing a quarter-life crisis. This latter idea is presented through a thunderously funny yet simultaneously tragic Gerwig performance, once again proving her worth as one of modern comedy's greatest assets.

Whilst some seem to be decrying Baumbach's continued exploration of generational issues as a lack of originality, Mistress America is starkly different to this year's other Baumbach feature, While We're Young, with this particular film venturing into unadulterated and joyous farce in its second act. Lines of dialogue of fired off at alarming speed, with previous collaborator Wes Anderson perhaps informing a few of decisions in this film.

This is, undoubtedly, a very funny film. But it's also incredibly insightful, nuanced and wise. I'd expect no less from Baumbach film.

An extremely worthy and fascinating successor to his masterpiece, Frances Ha, and an outstanding comedy in its own right.