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Last updated: 30 Jun 2026 at 04:44 UTC

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Review of by Edgar C — 08 Feb 2014

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The creation of such haunting and nightmarish phenomenon from one of the legendary poetesses of cinema had its reminiscence in surrealism more than in poetry itself. The "key" to reflection and self-discovery comes from within, not from external wills, and so begins the infinite loop of thoughts and epiphanies but nothing is ever the same. There is always some element that changes the entire package. Every second is unique; present is defined as that indivisible particle that unites nothingness with the future, which still isn't the "to be", whereas the past is only in memories, intimidation, water reflections, broken mirrors...

100/100.

This review of Meshes of the Afternoon (1943) was written by on 08 Feb 2014.

Meshes of the Afternoon has generally received very positive reviews.

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