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Last updated: 03 Jul 2026 at 17:09 UTC

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Review of by Viginti T — 28 Jul 2009

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The best Nouvelle Vague film ever to be made in America and in many ways better captures their original ideals then they did themselves. This is Scorsese's real debut as far as I'm concerned, it contains all the themes, locations and techniques that he would later put to use in the latter works he is better known for. The difference however lies in its tone, the film is a shockingly light hearted affair filled with a youthful zest unique still to US cinema. Although it stills looks like a gangster film on the surface it's really not, it's simply the tale of a few young men and their lives amongst the streets of New York City.

There is an innocent hopelessness ever present throughout the film, the gritty titular streets seem deadly and inescapable yet retain a certain sense of joy to a certain few. The protagonists aware that they are trapped run with it and enjoy what they can and what they have, a feeling that permeates through into the viewer. This effect is furthered by the films honest and spontaneous construction as well as its realistic and relatable characters. Scorsese created a film here that is not only a technical revelation and revolution but also captures the passion and enthusiasm of a big night out.

This review of Mean Streets (1973) was written by on 28 Jul 2009.

Mean Streets has generally received very positive reviews.

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