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Last updated: 18 Jul 2026 at 22:47 UTC

Movie Reviews by Robert Mazzocco - Page 1 of 1

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Review of Paris, Texas (1984)

By Robert Mazzocco (10) for The New York Review of Books (223) on 17 Jun 2018

Though Paris, Texas is the most interesting American film I've seen all year, it is finally not a success…

Review of Harold and Maude (1971)

By Robert Mazzocco (10) for The New York Review of Books (223) on 03 Apr 2018

A philosophical black comedy for grandparents and grandchildren, or what Walt Disney and Lucille Ball might have thought up if they'd taken…

Review of Ciao! Manhattan (1973)

By Robert Mazzocco (10) for The New York Review of Books (223) on 03 Apr 2018

Alternately garrulous, sparse, naïve, sardonic, clumsy, clever, intolerably sad, rawly funny…

Review of Nashville (1975)

By Robert Mazzocco (10) for The New York Review of Books (223) on 03 Apr 2018

Since the protagonists are mostly the performers themselves, and since, by and large, they seemed to me to be nothing but slick hillbilly narcissists,…

Review of Mean Streets (1973)

By Robert Mazzocco (10) for The New York Review of Books (223) on 03 Apr 2018

As full as it is of a crushing, unconsoling force, I thought the relations between the protagonists, after a certain point, symbolically elusive…

Review of Save the Tiger (1973)

By Robert Mazzocco (10) for The New York Review of Books (223) on 22 Mar 2018

In the phony moral quagmire of Save the Tiger Jack Lemmon tugs at our heart strings while never letting go of his purse strings…

Review of Ludwig (1973)

By Robert Mazzocco (10) for The New York Review of Books (223) on 22 Mar 2018

An unconscious parody of Visconti's own embattled romanticism, a diatribe against privileged liberty, an old morality play in which the free…

Review of Topaz (1969)

By Robert Mazzocco (10) for The New York Review of Books (223) on 14 Mar 2018

Good, but a bit grim, and when not that, a bit glossy…

Review of Alphaville (1965)

By Robert Mazzocco (10) for The New York Review of Books (223) on 13 Mar 2018

Always something strangely individualistic, utterly contemporary, and yet for all that, riddled with déjà vu, cultural echo chambers, a kind…

Review of The Great Gatsby (1974)

By Robert Mazzocco (10) for The New York Review of Books (223) on 02 Mar 2018

The folly of the film, lies, I think, in the damage done to the character of the narrator…

Robert Mazzocco has written reviews for:

The New York Review of Books (223)

Robert Mazzocco is connected to:

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Robert Mazzocco - Film Reviews

Robert Mazzocco has written 10 movie reviews between 02 Mar 2018 and 17 Jun 2018.

This film critic has awarded movies a score of 77% on average.

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