Review of Me and Orson Welles (2008) by Sne?Ana K — 19 Aug 2010
"All's fair in love and theater".
A teenager is cast in the Mercury Theatre production of "Julius Caesar" directed by a young Orson Welles in 1937.
REVIEW.
There are many things to love about ME AND ORSON WELLES, a dip into the past of the USA circa 1937 when despite the Great Depression and the imminence of WW II life upon the wicked stage held the fascination for a group of people determined to become stars. Adapted from the novel by Robert Kaplow by Holly Gent Palmo and Vincent Palmo Jr. and directed by Richard Linklater, this film reminds us of what the movies of the 1940s were like - hazy, musically inclined, optimistic views of the future played out on the streets and backstages of New York. It is not a deep film, but it is delivered by an excellent cast, and if the first half drags a bit, the second half more than makes up for those flaws.
The musical score is rich in excerpts from the period popular songs as well as a fine score by Michael J. McEvoy. The cinematography that captures the flavor of the 30s - long shots down on the streets from high buildings, the creaky dank theater mood, and the choice of bathing everything in a slightly umber tone - is mastered by Dick Pope. The cast is uniformly fine, but it is the performance of Christian McKay that, just as Orson Welles dominated the world in the places he stood, proves that McKay is a brilliant actor to watch carefully. It is a very good show, not a great one, but a solid look at the life and colleagues of a great man.
This review of Me and Orson Welles (2008) was written by Sne?Ana K on 19 Aug 2010.
Me and Orson Welles has generally received positive reviews.
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