Review of Lolita (1962) by Samantha S — 03 Dec 2009

Lolita provided a watershed for Stanley Kubrick's career. Sure, he made Spartacus and Paths of Glory before 1962, but Lolita proved one thing to the world: that Kubrick had the balls to do whatever film he wanted to do. This film made him that untouchable, mad genius that everyone believes he was, but it really proves that he can make a great movie no matter the subject matter or the constraints put against him.

Lolita is based on the 1955 novel by Vladimir Nabokov about Professor Humbert Humbert (James Mason) and the lodgings he has taken in the town for his new position. He is a boarder in the home of Charlotte Haze (Shelley Winters), a widow who seems to be hopelessly in love with any man that breathes and knows about her existence. Also living in the house is Charlottes teenage daughter Lolita (Sue Lyon). Humbert becomes obsessed with this "nymphet" and goes out of his way to be near her, even marrying her mother for the chance to show her affection. A relationship develops that's hot and cold between the two and is also strained by the presence of another "beau", Quilty (Peter Sellers).

James Mason scores as Humbert, pocessing the European demeanor of the character while being able to transmit the lust, the longing, and the conniving throughout the film. This was a ballsy move for Mason and it pays of in his performance. Sue Lyon is also excellent as Lolita, playing a girl that's a bit younger than her actual age. You can tell that she's grown way beyond her years and has more experience than her mother and even Humbert. Peter Sellers pulls out his thousand faces and voices routine throughout the film and delivers a nice performance, though it is brief. Honestly, the real standout is Shelley Winters. Sure, she's Lolita's mother, but it almost seems like there's a competition between the two. It's like a sort of jealousy that Charlotte holds against her daughter because of her relationship with boys and even men that mother just doesn't seem to get. So she's mean to her. Winters expresses all of the e,motions at the same time and can turn them on and off at will. She's briefly in the film, but she makes an impression.

Kubrick continues to hone his craft into his classic period which would start with his next film, Dr. Strangelove. The opening scenes in the mansion are shot masterfully with Kubrick making you uneasy just being in the place without using cob webs and coffins lying around. You know something's going to happen, you just don't know what it is. The film feels like a comedy/thriller. Sure, the hilarity is right there for all to see, but you have the thrill of Humbert getting caught in his games throughout the film that actually keeps you on the edge of your seat. Nabokov gets the writing credit, but the film is built by Kubrick.

As I said in the beginning, Lolita was a turning point in Stanley Kubrick's directorial career. For many, it was his first true film and set up that golden age of Kubrick films that ran from Lolita through A Clockwork Orange. It's a masterpiece of playing by the rules while breaking them all at the same time.