Review of Licorice Pizza (2021) by Richard Brody for The New Yorker — 01 Dec 2021
Haim brings a constant and instant focus even to riskily inchoate emotions, and Hoffman lends his driven energumen a lambent glow of innocence. Both inhabit the screen with a sympathetic responsiveness and a rare immediacy.
Their incarnation of the ardors and audacities of youth is among the marvels of recent movies, and with them Anderson rediscovers something greater than his own youth—the youth of the cinema itself.
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This review of Licorice Pizza (2021) was written by Richard Brody and published by The New Yorker on 01 Dec 2021.
Licorice Pizza has generally received positive reviews.
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