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Last updated: 13 Jun 2026 at 01:27 UTC

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Review of by Zak L — 04 Mar 2009

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Fellini fleshes out the film's main character, Marcello, by placing him in binds with friends, lovers, a suicidal girlfriend, a father he rarely sees, and among his inhuman and unrelenting paparazzi cohorts. La Dolce Vita is photographically beautiful, and although three hours usually makes for a damn long film, this one rarely overstays its welcome. It wouldn't be terribly interesting to a modern American audience--we are very removed from the characters' customs--but Fellini sure as hell knows how to build a scene.

Hey, and a guest appearance from Nico.

This review of La Dolce Vita (1960) was written by on 04 Mar 2009.

La Dolce Vita has generally received very positive reviews.

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