Review of Kill Bill: Vol. 2 (2004) by Huseyn B — 21 Oct 2012

Of course, we can reduce the meaning of the second series of "Kill Bill" is only for the final joke Uma Theremin as a bride-black mamba, which has, after a very long titles will again appear on the screen to "encore" to wrest from his other eye implacable opponent Elle Driver and declare with antics, especially for Quentin Tarantino: "And I liked it! Maybe, again? ". Is not artificially formed the second part of the film and are developed by the director, of course, it was sad to leave effectively invented and at least masterful performance scenes, just such an example of "repeat commissioned especially liked the moment"? Would not it be easier to reduce the total four-hour operation, tucked it in at least an hour, and bringing up the true brilliance. And then the three-hour cinematic canvas would be seen almost as a three-part symphonic form with three main places where the events unfold: America, Japan and China, as well as three times: past, present, and if "before last", referring to the "years of apprenticeship and travels Beatrix Kidd "(the real name bride).

"Kill Bill. Volume 2 "does not give a definitive answer to the question as to whether it was necessary to divide the esthetic Tarantino gangster saga in half - for this, perhaps, we should see both ribbon row, or wait until he releases a single version on DVD, perhaps by making some adjustments to the narrative. To be sure, the guesser in the first series is endorsed by the second, which can seem more distinct in terms of truly human content to tell the story, where the breathtaking fights and massacres are not a goal in itself, but vozdayatelnitsa blind revenge is not so simple and obvious - however, as "the same Bill.".

The last "Chapter X", called "Face to Face", which finally come together face to face two central antagonist of the "American tragedy" with a modern twist, has a long talk of these people, by their very nature do not fit in the usual framework of our commonplaces notions of good and bad, right and wrong, honesty and dishonesty, loyalty and betrayal. By itself, this scene and asks the textbooks on the art of screenwriting dialogue on the screen, and a witty and clever verbal passage of Bill regarding the mythology of comics in general, and "Superman" in particular deserves to instantly become a classic example to quote, though the revelations and insights of fashion philosophers.

Through the words of the hero like David Kerredina formulated a new principle of the duality of all things - Superman, unlike Spider-Man, Superman is from birth, but is forced to hide his true nature, mimicking a normal, ordinary young man who does not stand out from the crowd of other inhabitants of the big city . Here and in the desire to Beatrix Kidd, upscale female assassin, everywhere sowing death, yet to retire, get married to the first comer, "sucker" and turn into a quiet housewife-mother named Arlene Plimpton, Bill seems demonstrative refusal his best pupils from supermenskogo existence, which causes even more anger than flight unexpectedly become pregnant lover.

However, to understand the nature and behavior of the former Black Mamba, which began to destroy all those who tried to violently crack down on it and prevent maternal happiness, is not only important episode accidental discovery heroine of her pregnancy just before the execution of the next important task to remove the victim, said Bill. Already in the final Tarantino makes a bride who comes from almost crying with laughter, on the bathroom floor, how would relive the process of transformation into a mother's troubled. And it is significant that her incredible escape from death, demonstrated a rare invention in the second series, actually rhymes with unique back to life after a four-year coma in the first part. Other mythology image created by Uma Theremin, is the life-giving force majeure, which allows the Bride / Black Mamba / Arlene / Beatrix, going through all the transformation and modification of its nature, eventually materialize as the bearer of good and peace.

By thinking of Quentin Tarantino (he, starting with "Reservoir Dogs" and ending duologue "Kill Bill", just think of how to give a unique opportunity to beat his characters seem to be re-fatality), the continuing fight against time and death is in is precisely to break out of the circle and has outlined reborn to another life beyond the previous existence. And indeed, his whole cinema - a single epic tale about the tense battle of man against the mighty Rock, personified in the form of various scum and "thugs" like supermanipulyatora Bill, who almost imagine himself a demiurge. So the slogan "Kill Bill" almost sounds like "kill God", although in this case the divine functions brazenly attempted to assign a real devil in the flesh.