Review of Jojo Rabbit (2019) by Richard Brody for The New Yorker — 24 Oct 2019
Even though the target of satire in Jojo Rabbit is clearly the Nazis, the movie sharply but unintentionally satirizes itself, as well as its makers and the movie industry at large that saw fit to produce, release, and acclaim it.
You can read the full review where it was originally posted online.
This review of Jojo Rabbit (2019) was written by Richard Brody and published by The New Yorker on 24 Oct 2019.
Jojo Rabbit has generally received positive reviews.
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