Review of Jojo Rabbit (2019) by Anthony Lane for The New Yorker — 21 Oct 2019
It’s no surprise that the film should so often stumble and trip, yet I would sooner watch it again and sort through my mixed feelings about it than revisit, say, the nullity of “Joker.” There is genuine zest in the unease of Jojo Rabbit, and it’s weirdly convincing as a portrait of childhood under surreal strain.
You can read the full review where it was originally posted online.
This review of Jojo Rabbit (2019) was written by Anthony Lane and published by The New Yorker on 21 Oct 2019.
Jojo Rabbit has generally received positive reviews.
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