I Am David (2003) - Movie Reviews - Page 13 of 13

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Review of I Am David (2003)

By James H (4,675) on 29 Dec 2004

This is just not a very believable story, and Ben Tibber's voice and accent are annoying and distracting respectively…

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Review of I Am David (2003)

By Cherryl Dawson And Leigh Ann Palone (956) for TheMovieChicks.com (956) on 05 Dec 2004

It's like Tom Sawyer's Great Escape - a strange combination of stories that's interesting, but doesn't quite capture your emotions…

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Review of I Am David (2003)

By Eric D. Snider (2,489) for EricDSnider.com (2,026) on 04 Dec 2004

It is not an especially brilliant film, nor does it execute its ideas with particular flair, and yet I cannot resist liking and being moved by it…

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Review of I Am David (2003)

By Frank Swietek (3,473) for One Guy's Opinion (3,473) on 04 Dec 2004

A nice enough picture, but it's also slow and meandering…

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Review of I Am David (2003)

By Sean P. Means (2,056) for Salt Lake Tribune (1,927) on 03 Dec 2004

How David escapes, alas, is less compelling than wondering how this drearily earnest movie escaped the Hallmark Channel…

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Review of I Am David (2003)

By Eric Harrison (215) for Houston Chronicle (970) on 03 Dec 2004

The film is marred by too many coincidences, but there are a couple of twists at the end that tug at the heartstrings and leave you with a…

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Review of I Am David (2003)

By Robert Denerstein (1,148) for Denver Rocky Mountain News (608) on 03 Dec 2004

It's not lack of a strong story that keeps I Am David from taking off…

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Review of I Am David (2003)

By John Monaghan (292) for Detroit Free Press (942) on 03 Dec 2004

Feig's neorealist approach to the look of the film might work better if he didn't fill it with so many coincidences and melodramatic flourishes…

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Review of I Am David (2003)

By Wade Major (240) for Boxoffice Magazine (2,896) on 03 Dec 2004

One of those well-intentioned misfires that so frustrate both audiences and critics -- brimming with thematic potential, yet consistently unable…

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Review of I Am David (2003)

By Dan Lybarger (786) for Kansas City Star (1,573) on 03 Dec 2004

I Am David earns just about every teardrop it elicits. The journey isn't smooth, but that doesn't mean it isn't worthwhile…

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Review of I Am David (2003)

By Steven D. Greydanus (674) for Decent Films Guide (519) on 03 Dec 2004

At its best in the taut opening and in the third act, when the pieces finally come together. In between, the episodic story sags a bit…

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Review of I Am David (2003)

By Steve Schneider (315) for Orlando Weekly (1,048) on 02 Dec 2004

It's a Hallmark Hall of Fame special dressed up as a feature, one that juggles feel-good humanitarianism and oddly inappropriate stabs at whimsy…

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Review of I Am David (2003)

By Nancy Churnin (129) for Dallas Morning News (1,592) on 02 Dec 2004

Leaves you with the lingering scent of truth…

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Review of I Am David (2003)

By Brian Orndorf (4,059) for FilmJerk.com (622) on 01 Dec 2004

Though it looks like it was made for two nickels, I Am David resonates strongly in the heart, which is all this film is truly going after…

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Review of I Am David (2003)

By Matthew Leyland (105) for BBC.com (1,500) on 09 Nov 2004

Short, simple and inoffensive, it's well suited to family viewing, albeit on the gogglebox one Sunday teatime rather than the big screen…

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Review of I Am David (2003)

By Frederic And Mary Ann Brussat (3,072) for Spirituality and Practice (3,072) on 27 Oct 2004

I Am David is a fine family film about a twelve-year old boy's escape from a Bulgarian prison camp and his quest to find out his true identity…

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Review of I Am David (2003)

By Glenn E (26) on 19 Oct 2004

[font=Times New Roman]** I AM DAVID - A boy escapes a forced labor camp in Bulgaria during the communist period and goes on an adventure across…

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Review of I Am David (2003)

By Bruce Feld (62) for Film Journal International (5,095) on 17 Sep 2004

An unconvincing fairy tale that masquerades as an earnest plea for freedom…

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Review of I Am David (2003)

By Greg Muskewitz (87) for eFilmCritic.com (5,125) on 31 Dec 2003

The words creak with calculated composition that never sufficiently capture the foreignness of the situations or individuality of people…

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