Review of Husbands (1970) by Pauline Kael for The New Yorker — 08 Jun 2014
Like Faces, which was rambling and funny and accurate, and which I admired, the new film demonstrates a concern for panicky, inarticulate squares that is so unpatronizing that it comes close to being reverential in a solemnly religious sense.
Husbands, however, also puts one's tolerance of simulated cinéma vérité to the test. It is almost unbearably long.
You can read the full review where it was originally posted online.
This review of Husbands (1970) was written by Pauline Kael and published by The New Yorker on 08 Jun 2014.
Husbands has generally received positive reviews.
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