Review of Harakiri (1962) by Danny D — 18 Jun 2007
One of the most important movies to come out of post-war Japan; on par with Kurosawa's Ikiru as a damning critique of Japan's past. Kobayashi's use of allegory and imagery is masterful and absolute in condemning the futility of Bushido and God-like allegiance to empty tradition and honor.
Iconoclastic in the extreme, this is THE anti-samuri film.
This review of Harakiri (1962) was written by Danny D on 18 Jun 2007.
Harakiri has generally received very positive reviews.
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