Review of Gemma Bovery (2014) by Anthony Lane for New Yorker — 24 May 2015
The only performer who seems at ease is Luchini, eternally hangdog, who in one juicy moment spies Gemma and her beau-to-be, at a market stall, and confesses not to envy but to “a strange kind of jubilation” at seeing Flaubert’s narrative lock into place.
You can read the full review where it was originally posted online.
This review of Gemma Bovery (2014) was written by Anthony Lane and published by New Yorker on 24 May 2015.
Gemma Bovery has generally received mixed reviews.
Was this review helpful?
Yes
No
