Review of Funny Games (1997) by Wayne K — 02 Dec 2015

It's a true accomplishment when a movie is capable of not only satirising its own particular genre, but is able to simultaneously create an effective and entertaining film within that genre. The best example I've seen would be Scream, a love-letter to the cheesy but thrilling horror movies of the 70s and 80s.

In Funny Games we get much the same thing, but with the scales tipped more towards physiological violence rather than physical. Centring on what has to be one of our deepest fears, being held prisoner within our own abodes, Michael Haneke crafts a thriller of such power and suspense, but also remarkable intelligence and refinement.

Employing the Kubrickian tactic of using long takes, as well as having simple scenes go on for longer than usual are used regularly to create an uncomfortable atmosphere. On top of this, the performances by the kidnappers, particularly Arno Frisch, are measured, menacing and always keep you on edge.

The moments when Arno turns and addresses the audience, as well as when he and his partner discuss conventional movie formula, serves as the films satirical elements, and help to keep things interesting, especially where they literally play with time.

Unlike most horror films of the last decade, the movie is smart enough to keep the actual violence to a minimum. In fact we see very little of the brutal acts, most of which occur off camera or out of shot, allowing us to use our imagination rather than being subjected to the usual collection of cheap, bloody.

It does contain an annoying number of home-invasion clichés, and the self-aware aspect may seem a little too smug for many, but for me, this is one of the most effective, well made and intensely acted horrors films I've seen in a while.

It keeps the tension high while also keeping the gore level low.