Review of Everybody’s Everything (2019) by Emily Yoshida for New York Magazine (Vulture) — 13 Mar 2019
The film ... is more emotional than definitive; stopping just short of bestowing sainthood on the artist, but still aiming for something a little more cosmic than reportorial. This is not a “what really happened” exposé of his death, nor is it an academic postmortem on Peep’s musical or cultural legacy.
It’s most effective as a character study.
You can read the full review where it was originally posted online.
This review of Everybody’s Everything (2019) was written by Emily Yoshida and published by New York Magazine (Vulture) on 13 Mar 2019.
Everybody’s Everything has generally received very positive reviews.
Was this review helpful?
Yes
No
