Review of Everybody’s Everything (2019) by David Fear for Rolling Stone — 19 Nov 2019
Yes, it’s grim and gloomy — and like Lil Peep’s music, there’s also a sense of catharsis in all of this. More than anything, Jones and Silyan seem to be fashioning a postmortem that plays like his greatest hits, in which wounded wooziness somehow gives way to exhilaration and a warped sense of uplift.
You can read the full review where it was originally posted online.
This review of Everybody’s Everything (2019) was written by David Fear and published by Rolling Stone on 19 Nov 2019.
Everybody’s Everything has generally received very positive reviews.
Was this review helpful?
Yes
No
