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Last updated: 12 Jun 2026 at 06:23 UTC

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Review of by Emily Yoshida for New York Magazine (Vulture) — 26 Dec 2018

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This is too sunny a production to linger too long in the dark corners; even Laurel’s alcoholism is treated with a light touch when it comes up. Nevertheless, it still finds its way to some kind of profundity about the nature of long-term working relationships, something a little more complicated than the mere idea that the show must go on.

You can read the full review where it was originally posted online.

This review of Stan & Ollie (2018) was written by and published by New York Magazine (Vulture) on 26 Dec 2018.

Stan & Ollie has generally received positive reviews.

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