Review of Earwig (2022) by David Ehrlich for IndieWire — 18 Sep 2021
The result is an impressionistic film that flirts with slow cinema on its way towards something more incantatory; a film that doesn’t want to lull you to sleep so much as it wants to lure you into a place so dark and dreamy that you can no longer be certain that you’re still awake.
You can read the full review where it was originally posted online.
This review of Earwig (2022) was written by David Ehrlich and published by IndieWire on 18 Sep 2021.
Earwig has generally received mixed reviews.
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