Review of Earwig (2022) by Peter Bradshaw for The Guardian — 17 Oct 2021
A fog of menace descends on this hauntingly photographed, oppressive and driftingly directionless movie from Lucile Hadzihalilovic. It has the intensively curated atmosphere of body-horror noir – if not the conventional plot structure – and some way into the running time you might find yourself awakened from its reverie of formless anxiety by a sudden, horrifying stab of violence.
You can read the full review where it was originally posted online.
This review of Earwig (2022) was written by Peter Bradshaw and published by The Guardian on 17 Oct 2021.
Earwig has generally received mixed reviews.
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