Earwig, the director’s first English-language film, lacks the macabre logic of Evolution, or the precision of Innocence; the audience is left fumbling for meaning in the gloom.
You can read the full review where it was originally posted online.
This review of Earwig (2022) was written by Wendy Ide and published by The Observer (UK) on 11 Jun 2022.
Earwig has generally received mixed reviews.
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