Review of Down by Law (1986) by Elvira B — 26 Dec 2009

Down by Law is a comedy about three "innocent" men breaking out of prison. The important thing is not the escape, it's the trail of situations that they leave behind as they go. Jarmusch's humor consists on portraying with amazing naturality the awkwardness of the interaction between these three inmates who may or may not like each other very much, but who are too concerned (or at least so they think) with safekeeping their privacy and getting out to give each other much thought.

Cool is a basic word. And a basic theme. Not only are these scenes written and filmed with a great sense of 'coolness', which translates as the perfect distance between the spectators and the characters, but the two American characters themselves are consistently preoccupied about remaining, at all times, cool.

Jack (John Lurie) and Zack (Tom Waits) live in New Orleans; Jack is a pimp and Zack is a DJ. Both seem to lead lives that could be very torrid, but they are, on the contrary, kind of bored with them. In a very Jarmusch style, they need a change. And they find it traveling, although not quite as they might have expected: both get accused of crimes they didn't commit. They could defend themselves, but they don't, because they just don't care, so they get sent to prison. They share a cell in which their two strong-minded personas clash over and over, until an odd Italian named Roberto -the one real criminal of the trio- gets locked in with them.

Roberto's loud, careless personality gives Jack and Zack a jolt, and puts them in a concealed state of complicity to amuse themselves with him -but not too much, of course. However, soon they find that Roberto has a plan to escape. And so they break out and start a tedious yet hilarious journey across the marshes and dirt roads of Louisiana. All the while wearing suits that read Orleans Parish Prison.

The truth is that Jack, Zack and Roberto don't appear to regard each other very much. They don't show any signs of really caring, except when they're caught up in discussions about absurd subjects. Their journey develops as they make sudden, impulsive decisions about where to go after a fight. These are the moments that can make you laugh out loud: not quite the situations, but the attitudes, their ridiculous efforts to project leadership, and how they always end up getting pulled together into disaster despite their wish to go separate ways.

Of course, by the end, there's a bond between them that many miles of disagreements couldn't possibly have prevented. But the great thing about how Jarmusch depicts this is that he never addresses it directly. It shows by the end in the way they insult each other -they couldn't just all of a sudden engage in a group hug!

Without a doubt, Down by Law has a terrific screenplay. Roberto Begnini has the funniest, most absurd lines, but Jack and Zack's characters have all the necessary bite and self-consciousness -and cool- to become equally engaging characters. However, almost the same amount of credit has to be given to Begnini, Tom Waits, and John Lurie, for their excellent facial expressions, comedic timing, and overall smoothness. Although one could probably guess Jarmusch tailored the characters especially for his friends, it isn't less true that they reciprocated the honor with their best performances.

There's a great deal of talent involved in this movie, combined -fortunately- with elegance and a clear head. John Lurie's music, Tom Waits's songs, and the brilliant cinematography make this film a stylistic gem. It's so helplessly Jarmusch. So helplessly cool. An entertaining story of human interaction, just like Stranger in Paradise, but with a slightly more cheerful, or at least defined, outlook.