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Review of by Ignatiy Vishnevetsky for AV Club — 17 Jun 2015

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Dope has more characters and subplots than it knows what to do with, and its performances are all over the place, ranging from Clemons’ and Revolori’s charismatic turns as second-banana goofballs to Roger Guenveur Smith’s stylized impression of a local millionaire, so vampiric that he might as well be slathered in German Expressionist makeup.

You can read the full review where it was originally posted online.

This review of Dope (2015) was written by and published by AV Club on 17 Jun 2015.

Dope has generally received positive reviews.

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