Review of Disobedience (2018) by Jeff S — 31 May 2018

We see films about the evils of religion. We see films that feel like religious propaganda. How often do we see films that just put these elements out at face value? Such is the nature of Disobedience, a small but intriguing study of the clash between religious devotion and personal discovery. In the end, we learn that "right" and "wrong" often do not have a place in an adult world.

Disobedience has a simple premise that allows the performances of Weisz, McAdams, and Nivola to soar. Three friends grew up in a traditional Jewish community in London, and one of those friends (Ronit, played by Weisz) rebelled and left to live in the United States, far from her religious affiliation. When Ronit's father dies, she returns to London to pay her respects. Her trip leads us to meet Dovid, the most interesting character in the film, and McAdams's Esti. The three characters have three different levels of religious devotion: Ronit has rebelled and is Jewish in background only, Dovid is an ambitious rabbi who conforms to all traditional Jewish rules, and Esti is somewhere in the middle. It may seem as if the character setup forces audience members to "side" with whichever character is closest to his or her personal level of faith, but the film has much more in store.

Entertainment is not at the center of Disobedience. Dialogue takes a back seat as the camera and direction focus on facial expressions. Jewish customs are presented without exposition. Characters are sometimes unlikeable and at other times closed off. Most importantly, however, expectations are subverted. In many ways, Disobedience chooses to focus on the beauty of humanity rather than the terrible things that men do, and, while some audience members will leave unsatisfied with such optimism, many of us appreciated a film with real people for a change.