Review of Death Note (2017) by Dominick Suzanne-Mayer for Consequence of Sound — 25 Aug 2017
In adapting Death Note for a presumably American audience, Wingard loses the whole of its identity, and never finds a different one with which to replace it.
You can read the full review where it was originally posted online.
This review of Death Note (2017) was written by Dominick Suzanne-Mayer and published by Consequence of Sound on 25 Aug 2017.
Death Note has generally received negative reviews.
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