Review of Dead Poets Society (1989) by Sean L — 28 Aug 2015
A fairly by-the-books tale of adolescence, uncertainty, self-discovery and clashes with authority that rises to greater things on the backs of a few dynamic performances. Central to it all is Robin Williams, of course, in a role that showed the world he could play for more than laughs, but don't overlook the dramatic chops of the kids, either.
An extremely young Ethan Hawke is the focus, and he shines, but I found more versatility in Robert Sean Leonard's tragic turn as his brash, social, get-things-done roommate. A setting in the conservative 1950s excuses many of the film's indulgences, grounding it as a period piece with flashes of the cultural revolution that was already on the way, but also adds a certain sense of natural charm and classic Americana to the mix.
It can be quite dark, but also very optimistic, and expertly handles that difficult range of emotion through a vast array of concurrent storylines. Very good stuff, though it often feels like it's preaching to the choir.
This review of Dead Poets Society (1989) was written by Sean L on 28 Aug 2015.
Dead Poets Society has generally received very positive reviews.
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