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Last updated: 19 Jun 2026 at 03:47 UTC

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Review of by Stuart K — 02 Aug 2012

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An underrated Steve Martin classic, it's a bit much of a concept and surely goofy throughout, but it's wildly entertaining. Steve Martin portrays a gumshoe named Rigby Reardon, a noiresque detective on the case of a murdered man with the help of his daughter Juliet (Ward).

Intercut in the fantastical story of Martin's character are scenes from classic mystery and noir films. Rigby himself has a very oddball approach to these characters, and there are several stand in body doubles to take on the backside persona of such greats as Ingrid Bergman, Cary Grant, Burt Lancaster, and Veronica Lake.

The writing for Martin's character into these elemental scenes is nothing short of positively goofy, but the tone is correct, the ambiance if you will. The language is the best part because though the noir metaphors are in the same category as everything else, it's all odd and willfully cool.

My favorite idea was making the famous Philip Marlowe of the Raymond Chandler books and several films (played by Humphrey Bogart) into his willful stooge and incompetent hired hand; Watson to his Holmes.

The first clip throws you off at first but eventually the change in sound, the obvious body doubles, and the funny give and take between the different films; it really is a guilty pleasure kind of experience.

Though it's not an obvious winner and surely takes liberties, this film is a lot of fun in seeing the different icons on the screen as well as watching the ludicrous plot unfold one piece at a time.

This review of Dead Men Don't Wear Plaid (1982) was written by on 02 Aug 2012.

Dead Men Don't Wear Plaid has generally received positive reviews.

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