Cam (2018) - Critic Reviews - Page 2 of 4

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Review of Cam (2018)

By Bryan Bishop (118) for The Verge (432) on 18 Nov 2018

Cam focuses less on the real ways technology can be weaponized, and more on how vulnerable people can feel when their online identities are…

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Review of Cam (2018)

By Dan Jackson (19) for Thrillist (209) on 18 Nov 2018

It has the same pluck and formal dexterity as Steven Soderbergh's pharmacological mental health thriller Unsane or Henry Joost and Ariel Schulman's…

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Review of Cam (2018)

By Tomas Trussow (247) for The Lonely Film Critic (186) on 17 Nov 2018

Cam ... [does] not vilify cam models who choose this line of work. It is, rather, more interested in how the mechanics of camming…

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Review of Cam (2018)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 16 Nov 2018

This is the kind of clever jolt to the system we want from horror thrillers — an unexpected commentary on today’s society burrowing its…

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Review of Cam (2018)

By Molly Henery (136) for The Blogging Banshee (135) on 16 Nov 2018

Cam is a technological thriller with a stunning and authentic portrayal of the life of a camgirl…

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Review of Cam (2018)

By Joel Keller (13) for Decider (264) on 16 Nov 2018

The 93 minutes go by quickly, and it's a fun peek into a world that not many of us (hopefully) know much about…

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Review of Cam (2018)

By Jaime Fa De Lucas (47) for Culturamas (47) on 16 Nov 2018

Although the idea raised by [director] Daniel Goldhaber may be interesting, the development is disastrous. [Full review in Spanish]…

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Review of Cam (2018)

By Jeva Lange (4) for The Week (85) on 16 Nov 2018

The whole premise would be silly if it didn't feel quite so real…

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Review of Cam (2018)

By Alexandra Heller-Nicholas (78) for AWFJ Women on Film (16) on 16 Nov 2018

CAM is less the conservative morality tale about contemporary sex work as a brief synopsis might suggest, but instead an engrossing, thoughtful…

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Review of Cam (2018)

By Inkoo Kang (374) for Slate (2,081) on 15 Nov 2018

The wonderfully versatile Brewer, who’s in virtually every scene, pulls off essentially three “characters”: Alice, Alice as Lola, and…

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Review of Cam (2018)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 15 Nov 2018

Cam is more successful as an oddly feminist tale of gutsy self-reliance than as a fully developed drama…

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Review of Cam (2018)

By Randall Colburn (93) for Consequence of Sound (1,431) on 15 Nov 2018

It’s gripping stuff, especially since Goldhaber and Mazzei map out an endgame that’s maintains an intriguing ambiguity while still providing…

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Review of Cam (2018)

By Jacob Trussell (2) for Film School Rejects (1,198) on 15 Nov 2018

Cam is a sex-positive, feminist horror film about a woman calling the shots on what she does with her own body…

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Review of Cam (2018)

By Kristen Lopez (178) for Culturess (85) on 15 Nov 2018

Cam's Daniel Goldhaber and Isa Mazzei enter the horror genre with a frightening expose of femininity and sexuality in the 21st century…

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Review of Cam (2018)

By Morgan Rojas (191) for Cinemacy (191) on 15 Nov 2018

A psychological thriller set in the underbelly of webcam pornography, Cam is a devilishly fun thrill ride not to be missed…

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Review of Cam (2018)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 14 Nov 2018

On a narrative level, Mazzei and Goldhaber don’t come up with enough ideas for how to capitalize on their hooky premise…

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Review of Cam (2018)

By Ian Sandwell (15) for Digital Spy (1,161) on 13 Nov 2018

Far from being salacious or gratuitous, Cam is an absolutely chilling, thought-provoking and sex-positive delve into the world of webcam porn…

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Review of Cam (2018)

By Richard Brody (868) for New Yorker (1,403) on 12 Nov 2018

The realization of her life online, as she interacts with a profusion of screens and windows, is extraordinarily complex and detailed, but…

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Review of Cam (2018)

By Sean Mulvihill (414) for FanboyNation.com (414) on 11 Nov 2018

In what has shaped up to be a great year for horror, Cam stands near the top of the year's best…

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Review of Cam (2018)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 09 Nov 2018

While Cam feels authentic, it's not a documentary…

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