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Last updated: 08 Jun 2026 at 17:24 UTC

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Review of by Noel Murray for Los Angeles Times — 14 Nov 2018

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On a narrative level, Mazzei and Goldhaber don’t come up with enough ideas for how to capitalize on their hooky premise. But on a character level? The filmmakers and Brewer capture the mounting existential anxiety of a woman who’s constructed an entire identity on-line and is horrified to see that it can keep on living without her.

You can read the full review where it was originally posted online.

This review of Cam (2018) was written by and published by Los Angeles Times on 14 Nov 2018.

Cam has generally received positive reviews.

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