Review of Cam (2018) by Richard Brody for New Yorker — 12 Nov 2018
The realization of her life online, as she interacts with a profusion of screens and windows, is extraordinarily complex and detailed, but the drama is thin and predictable; despite the quasi-documentary authenticity of the details of Alice’s work, the movie offers more prowess than perspective.
You can read the full review where it was originally posted online.
This review of Cam (2018) was written by Richard Brody and published by New Yorker on 12 Nov 2018.
Cam has generally received positive reviews.
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