Blonde (2022) - Critic Reviews - Page 3 of 3

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Review of Blonde (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Sep 2022

The main thing the movie misses in portraying Marilyn solely as a tragic sex bomb isn't just the pleasure that Monroe herself brought to millions,…

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Review of Blonde (2022)

By David Katz (41) for The Film Stage (3,162) on 09 Sep 2022

Ana de Armas’ portrayal of Norma is powerful, her performance suggesting layers and levels Dominik just isn’t interested in probing, perhaps…

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Review of Blonde (2022)

By Jane Crowther (96) for Total Film (3,532) on 08 Sep 2022

Uncomfortable viewing, then, but also engaging, unbridled cinema that will prompt discourse and divide opinions…

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Review of Blonde (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 08 Sep 2022

Blonde is beautiful, mesmerizing, and, at times, deeply moving…

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Review of Blonde (2022)

By Owen Gleiberman (3,271) for Variety (12,700) on 08 Sep 2022

With a passion that’s inquisitive, nearly meditative, and often powerful, Blonde focuses on the mystery we now think of when we think of…

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Review of Blonde (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 08 Sep 2022

Blonde is severe and serious-minded almost to a fault: you rather wonder how many viewers at home will soldier on to the end when it lands…

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Review of Blonde (2022)

By Jack King (15) for The Playlist (3,871) on 08 Sep 2022

This is a nasty, queasy, unforgiving piece of work. It is utterly devoid of hope…

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Review of Blonde (2022)

By Richard Lawson (539) for Vanity Fair (761) on 08 Sep 2022

Blonde is a film partly about exploitation that might be exploitative itself…

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Review of Blonde (2022)

By Ben Croll (93) for TheWrap (3,203) on 08 Sep 2022

Once more, the filmmaker’s level of formal control is exemplary and precise, and his lead actress game for whatever comes her way…

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Review of Blonde (2022)

By Rafa Sales Ross (1) for BBC (137) on 08 Sep 2022

Blonde is less preoccupied with building a faithful portrayal of the real-life figure than with translating the brutal ruthlessness of celebrity,…

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Review of Blonde (2022)

By Catherine Bray (216) for Empire (3,446) on 08 Sep 2022

There’s a fine line between depicting the way Marilyn Monroe was underestimated, and joining in with that assessment…

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Review of Blonde (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 08 Sep 2022

The tragic dimension of a woman adored by the world, devoured by Hollywood and ultimately abandoned to her own despair in an ordinary little…

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Review of Blonde (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 08 Sep 2022

This is a portrait of Monroe that accentuates her suffering and anguish, canonising her into a feminist saint who died for our scopophilic…

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Review of Blonde (2022)

By Sophie Monks Kaufman (221) for IndieWire (3,631) on 08 Sep 2022

It’s not that Andrew Dominik has made an implausible film about the experience of a poor young beauty haunted by fears of madness who was…

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Review of Blonde (2022)

By Lex Briscuso (44) for Slashfilm (971) on 08 Sep 2022

De Armas' dazzling screen presence is inarguable…

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Review of Blonde (2022)

By Phil De Semlyen (265) for Time Out (7,510) on 08 Sep 2022

For all its freedom to reimagine her life and rescue her from cultural victimhood, Blonde is just a bit too willing to chuck her overboard…

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Review of Blonde (2022)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 08 Sep 2022

Technically-skilled, well-acted and fatally over-long, it’s hard not to see Blonde as a chronicle of exploitation and abuse which merrily…

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