Review of Blonde (2022) by Bilge Ebiri for New York Magazine (Vulture) — 08 Sep 2022
Blonde is beautiful, mesmerizing, and, at times, deeply moving. But it’s also alienating — again, by design — constantly turning the camera on the viewer, sometimes with Marilyn directly addressing it.
That’s going to be a tough sell, especially for a film that’s so nonlinear and elliptical.
You can read the full review where it was originally posted online.
This review of Blonde (2022) was written by Bilge Ebiri and published by New York Magazine (Vulture) on 08 Sep 2022.
Blonde has generally received mixed reviews.
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