Review of Beach Rats (2017) by Emily Yoshida for New York Magazine (Vulture) — 23 Aug 2017
The film is at its best when it lets Dickinson’s deceptively blank face and Hélène Louvart’s lyrically natural cinematography tell the story, which is far more informed by mood than events.
You can read the full review where it was originally posted online.
This review of Beach Rats (2017) was written by Emily Yoshida and published by New York Magazine (Vulture) on 23 Aug 2017.
Beach Rats has generally received positive reviews.
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