Review of Au Hasard Balthazar (1966) by Anthony Lane for New Yorker — 05 Mar 2013
The film could have sunk beneath this symbolic burden, yet it is lightened by the speed and precision of Bresson’s art; he could derive more from one pair of hands than most directors can from two hours of blood and guts.
You can read the full review where it was originally posted online.
This review of Au Hasard Balthazar (1966) was written by Anthony Lane and published by New Yorker on 05 Mar 2013.
Au Hasard Balthazar has generally received very positive reviews.
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