Review of Anna Karenina (2012) by Anthony Lane for New Yorker — 26 Nov 2012
The metaphorical force of this conceit-insisting on the artifice of the social world that frowns on rapture-is not hard to grasp, but its frailty unsettles some of the actors.
You can read the full review where it was originally posted online.
This review of Anna Karenina (2012) was written by Anthony Lane and published by New Yorker on 26 Nov 2012.
Anna Karenina has generally received positive reviews.
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