Review of All That Heaven Allows (1955) by Maxwell S — 30 Aug 2012
This is a film, that does what other films can rarely do, NOT avoid the inevitable. Not to say all films that can't be masterpieces, but just that, this film can be a masterpiece while doing so. The film has the definitive first half inhale, and second half exhale.
During the inhale, is where the director's artistic ability can meander. And boy does it inhale a lot. Most people won't notice how overwhelming it is, but it is only a master that can subtly overwhelm THIS much.
I've rarely ever seen such a great focus on a main character, I mean, her mood and thoughts completely speak for the scene, yet there is such a complete awareness of the lives of others, and life itself.
There are such great complexities that we constantly try to grasp, yet there is a beautiful simplicity equally present. We all dwell in each moment, yet it still progresses through gently. Needless to say, it's overwhelming.
Most instantly notable is the beautiful color and composition used in every shot, which is a great reason why it's made it's way to the criterion collection. Douglas Sirk has made a masterpiece reflecting life greater than nearly every other film I've seen, and also makes it's love for film ever so present as well.
Highly recommended for non-jaded filmgoers.
This review of All That Heaven Allows (1955) was written by Maxwell S on 30 Aug 2012.
All That Heaven Allows has generally received very positive reviews.
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