Review of Ad Astra (2019) by Thegldt — 21 Sep 2019

Ad Astra seemed like two distinct movies stitched together right down the middle. The first half is kinetic and action-filled as advertised in the trailers. The dizzying space fall, horror-esque SOS detour, and intense moon rover chase sequences, in particular, were equal parts heart-pounding and visually striking. I don't think I've ever seen a vehicle chase on the moon executed this viscerally before.

Everything switches gears in the midpoint when Brad Pitt's Roy McBride reaches the red planet. The film practically loses its exciting energy when it finally decides to focus on the main conflict of the story: Roy's relationship with his father (or the lack thereof). The film suddenly feels plaintive, ruminative, and lonely—especially against the backdrop of the vast emptiness of space.

To its credit, 'Ad Astra' maintains A+ cinematography and other-worldly imagery throughout its respectable two-hour runtime. If you allow me, I'd even compare this film's gorgeous and mystifying visuals to that of Stanley Kubrick's '2001: A Space Odyssey' (*film grain included). It's a visual treat and Max Richter's hauntingly beautiful score is the icing on top of this cosmic cake.

Perhaps I would've enjoyed this more if it had just a little payoff on the extraterrestrial intelligence front, but that whole "search for alien life" aspect was not the point of this story—which really is (in contrast to the marketing) a dark and stoic expedition to strip apart complex father-son dynamics and question our definitions of masculinity (and where love, longing, and fragility fit in to the idea of a "man" or heroic figures).