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Last updated: 03 Jul 2026 at 06:25 UTC

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Review of by Lloyd Rose for Washington Post — 16 Sep 1996

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Brando's performance as Stanley is one of those rare screen legends that are all they're cracked up to be: poetic, fearsome, so deeply felt you can barely take it in. In the hands of other actors, Stanley is like some nightmare feminist critique of maleness: brutish and infantile.

Brando is brutish, infantile and full of a pain he can hardly comprehend or express. The monster suffers like a man. [Restored version].

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This review of A Streetcar Named Desire (1951) was written by and published by Washington Post on 16 Sep 1996.

A Streetcar Named Desire has generally received very positive reviews.

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