Review of 3:10 to Yuma (1957) by Michael Sragow for The New Yorker — 19 Aug 2011
The compositions evoke a kind of open-air claustrophobia, whether in overhead shots that pin the characters in the landscape or in tableaux of men, women, and children staving off the chaos of the wide-open spaces with their weary fences and weathered towns.
You can read the full review where it was originally posted online.
This review of 3:10 to Yuma (1957) was written by Michael Sragow and published by The New Yorker on 19 Aug 2011.
3:10 to Yuma has generally received very positive reviews.
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