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Wendy Ide

Last updated: 25 Jun 2026 at 15:22 UTC

Movie Reviews by Wendy Ide - Page 12 of 75

221-240 of 1,500 Reviews

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Review of The Boss Baby: Family Business (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 24 Oct 2021

The pro-family, anti-tech messaging is designed to play to the parents, but while not entirely unwatchable, the film’s demented levels of…

Review of Dear Evan Hansen (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 24 Oct 2021

It’s the cinema equivalent of rubbing cut onions in the eyes of the audience: film-making that is cynically and artificially engineered to…

Review of The Phantom of the Open (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 21 Oct 2021

The Phantom Of The Open is an amiable little picture which might be dramatically as flat as Mark Rylance’s vowels but still packs a considerable…

Review of The Man Who Sold His Skin (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 15 Oct 2021

Provocative and challenging, if not the most subtle piece of political commentary, the film certainly cements Kaouther Ben Hania as a name…

Review of The Alpinist (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 14 Oct 2021

A portrait of a man who, as one of his contemporaries remarked, feels almost too comfortable on the side of a mountain…

Review of The Addams Family 2 (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 13 Oct 2021

A singularly unattractive animation style, jokes as flat as roadkill and a score that could be used as an instrument of torture are just some…

Review of Fever Dream (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 13 Oct 2021

The film’s actual pay off – the truth exhumed from this tainted earth – is ultimately not quite as satisfying as the picture’s elegantly…

Review of Fever Dream (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 13 Oct 2021

The film’s actual pay off – the truth exhumed from this tainted earth – is ultimately not quite as satisfying as the picture’s elegantly…

Review of Fever Dream (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 13 Oct 2021

The film’s actual pay off – the truth exhumed from this tainted earth – is ultimately not quite as satisfying as the picture’s elegantly…

Review of Ron's Gone Wrong (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 11 Oct 2021

Ron’s Gone Wrong transcends the familiarity of the story (there’s a thematic an overlap with Big Hero 6 and How To Train Your Dragon, to…

Review of Knocking (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 07 Oct 2021

Milocco’s performance manages to walk a thin line between credibility and delusion, a line which is less successfully negotiated by other…

Review of The Harder They Fall (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 06 Oct 2021

Big, bombastic and full-blooded, Jeymes Samuel’s neo-Western might tick off plenty of the tropes of the genre, but the outlaw energy he brings…

Review of No Time to Die (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 04 Oct 2021

This is where the film slips up…

Review of The Many Saints of Newark (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 25 Sep 2021

It’s undeniably entertaining stuff, but this choppy collage-style portrait of the formative figures in the life of the young Tony Soprano…

Review of My Name Is Pauli Murray (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 23 Sep 2021

This thorough and informative documentary, from the team behind RBG, shines a light on a brilliant and uncompromising firebrand who paved the…

Review of Prisoners of the Ghostland (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 23 Sep 2021

It’s almost worth watching just for the way that Cage delivers the word “testicle”: it sounds as though all the syllables got caught…

Review of Everybody's Talking About Jamie (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 23 Sep 2021

Much of the film’s appeal comes from its star, newcomer Max Harwood, who, despite a chiffon-wisp of a singing voice claims every frame with…

Review of Everybody's Talking About Jamie (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 23 Sep 2021

Much of the film’s appeal comes from its star, newcomer Max Harwood, who, despite a chiffon-wisp of a singing voice claims every frame with…

Review of Lone Wolf (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 22 Sep 2021

This intriguing political thriller uses the ideological beliefs of its characters as a jumping-off point, but is most effective when it takes…

Review of Lone Wolf (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 22 Sep 2021

This intriguing political thriller uses the ideological beliefs of its characters as a jumping-off point, but is most effective when it takes…

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Wendy Ide has written reviews for:

Time Out (7,510)
Guardian (4,584)
TheWrap (3,203)
Times (UK) (2,458)
Radio Times (2,421)
Observer (UK) (2,398)
Screen International (2,241)
Screen Daily (1,021)
Sight and Sound (827)
The Observer (UK) (826)

Wendy Ide is connected to:

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