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Wendy Ide

Last updated: 25 Jun 2026 at 17:43 UTC

Movie Reviews by Wendy Ide - Page 11 of 75

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Review of LOLA (2023)

By Wendy Ide (1,500) for The Observer (UK) (826) on 11 Jan 2022

Mya Bollaers is a magnetic presence in this Belgian-French film that approaches the story of an adolescent trans girl and her estranged father…

Review of The Humans (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 02 Jan 2022

The Humans struggles to escape its theatrical origins…

Review of The Electrical Life of Louis Wain (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 02 Jan 2022

Like Wain’s art, the film is superficially twee – characters are referred to as “nosy poseys” at one point – but under the kitsch…

Review of Marx Can Wait (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 29 Dec 2021

Bellocchio’s motives for making the film are in part to make sense of the events, in part, one suspects, to exorcise a lingering sense of…

Review of Nine Days (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 22 Dec 2021

Nine Days is, in its subdued way, a profound and powerful commentary on life…

Review of The Tender Bar (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 22 Dec 2021

It’s fair to say that this amiable but almost farcically uneventful adaptation of the 2005 memoir by JR Moehringer is also postcard-thin…

Review of Swan Song (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 21 Dec 2021

Ali is tremendous in a dual role that takes in everything from a beguiling meet-cute with his future wife (Naomie Harris) to a third act consumed…

Review of Spider-Man: No Way Home (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 18 Dec 2021

It’s all very meta and self-referential; screenwriters Chris McKenna and Erik Sommers hoover up memorable lines from past movies and serve…

Review of Even Mice Belong in Heaven (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 02 Dec 2021

The message of selflessness, generosity and loyalty is by-the-numbers stuff, but embellish it with moss, pinecones and twigs, and it takes…

Review of Lady Buds (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 24 Nov 2021

The choice of characters is strong enough to ensure a broad and insightful overview of the subject, which is explored in considerably more…

Review of Drive My Car (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 22 Nov 2021

With its eddying, fluid score and judicious use of silence, its satisfying layers of storytelling, this is a supremely confident piece of film-making…

Review of King Richard (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 22 Nov 2021

It’s a very watchable picture, but one that, like the plan that Williams famously wrote for his daughters, feels at times like a checklist…

Review of Bruised (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 22 Nov 2021

It’s not badly made, necessarily, just entirely unsurprising…

Review of Ghostbusters: Afterlife (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 22 Nov 2021

The film’s main appeal is not what it appropriates from other Ghostbusters pictures, but that it’s a nostalgic nod to the Spielbergian…

Review of The Power of the Dog (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 22 Nov 2021

The weathered earth tones of Campion’s subdued colour scheme conceal a vivid and full-blooded emotional palette…

Review of Prayers for the Stolen (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 16 Nov 2021

Huezo’s picture, which is loosely adapted from a novel by Jennifer Climent, is distinctive in its child’s-eye-view of this most abnormal…

Review of Red Notice (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 08 Nov 2021

Reportedly the most expensive Netflix original production to date, Red Notice would have benefited if some of its $200m budget had been spent…

Review of The Card Counter (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 08 Nov 2021

In Oscar Isaac’s enigmatic blackjack player “William Tell”, with his wary hooded eyes and closed book countenance, the film has a broodingly…

Review of Eternals (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 06 Nov 2021

For all the effort that has gone into ensuring representation in the casting, the storytelling, with its forced flashbacks and synthetic sentiment,…

Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 24 Oct 2021

Anderson’s backdrop, a kind of steroidally enhanced Frenchness reminiscent of films such as Belleville Rendez-Vous and Amélie, is rather…

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Wendy Ide has written reviews for:

Time Out (7,510)
Guardian (4,584)
TheWrap (3,203)
Times (UK) (2,458)
Radio Times (2,421)
Observer (UK) (2,398)
Screen International (2,241)
Screen Daily (1,021)
Sight and Sound (827)
The Observer (UK) (826)

Wendy Ide is connected to:

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