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Wendy Ide

Last updated: 25 Jun 2026 at 13:56 UTC

Movie Reviews by Wendy Ide - Page 13 of 75

241-260 of 1,500 Reviews

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Review of LONE WOLF (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 22 Sep 2021

This intriguing political thriller uses the ideological beliefs of its characters as a jumping-off point, but is most effective when it takes…

Review of Mona Lisa and the Blood Moon (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 18 Sep 2021

All seamy New Orleans sleaze, with a neon and nylon aesthetic, the film relishes its own trashiness…

Review of Huda's Salon (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 18 Sep 2021

A brisk and efficient thriller…

Review of Inu-Oh (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 18 Sep 2021

It’s fair to say that in this singular piece of filmmaking, with its dense deep-dive into arcane legend and mythology, selling out is certainly…

Review of Costa Brava, Lebanon (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 18 Sep 2021

Costa Brava, Lebanon is a terrific feature debut from Mounia Akl which works both as a compelling domestic drama and an elegant political allegory…

Review of Charlotte (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 18 Sep 2021

It’s a handsome film, but a conventional one, rather missing the opportunity of allowing Salomon’s thrilling uninhibited style to inform…

Review of Encounter (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 14 Sep 2021

In Pearce’s sure hands, the film sustains its tension, even as it sideswipes the audience with slickly executed change of tone…

Review of Encounter (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 14 Sep 2021

In Pearce’s sure hands, the film sustains its tension, even as it sideswipes the audience with slickly executed change of tone…

Review of Encounter (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 14 Sep 2021

In Pearce’s sure hands, the film sustains its tension, even as it sideswipes the audience with slickly executed change of tone…

Review of Hallelujah: Leonard Cohen, a Journey, a Song (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 14 Sep 2021

This is filmmaking which echoes Cohen’s music style – it’s contemplative, searching and stripped back, but it can also be somewhat navel…

Review of The Mad Women's Ball (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 13 Sep 2021

The latest picture from Melanie Laurent is a strikingly beautiful production which delves deep into the ugliness at the roots of psychiatric medicine…

Review of Benediction (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 13 Sep 2021

It’s an elegant piece of filmmaking, if a little too decorous at times…

Review of Benediction (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 13 Sep 2021

It’s an elegant piece of filmmaking, if a little too decorous at times…

Review of 7 Prisoners (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 11 Sep 2021

This impressive feature from Alexandre Moratto takes the topic of modern-day enslavement as a jumping-off point for a morality tale which gets…

Review of Halloween Kills (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 08 Sep 2021

Whatever else could be said about this competent and generally pretty entertaining latest addition to the series, surprising it is not…

Review of The Lost Daughter (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 06 Sep 2021

Ultimately what makes this an unusually rewarding picture about motherhood is the fact that it shatters the binary distinction between the…

Review of Misha and the Wolves (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 05 Sep 2021

A puzzle box of a structure reveals fresh angles to the story with each new contributor, but the woman at its core – the discredited author…

Review of Here Today (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 05 Sep 2021

It’s a film that sets out to tackle the impact of degenerative disease, but, barring a few moments of confusion and a forgotten name or two,…

Review of Last Night in Soho (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 04 Sep 2021

It’s a blast. Last Night In Soho is the kind of good time which isn’t over until someone’s either crying or bleeding…

Review of Shang-Chi and the Legend of the Ten Rings (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 04 Sep 2021

Cretton negotiates potential cliches such as flashback sequences and that hoariest of old chestnuts, the training montage, with a gravity-defying…

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Wendy Ide has written reviews for:

Time Out (7,510)
Guardian (4,584)
TheWrap (3,203)
Times (UK) (2,458)
Radio Times (2,421)
Observer (UK) (2,398)
Screen International (2,241)
Screen Daily (1,021)
Sight and Sound (827)
The Observer (UK) (826)

Wendy Ide is connected to:

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