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Last updated: 25 Jul 2026 at 13:09 UTC

Movie Reviews by Robert Daniels - Page 6 of 17

101-120 of 336 Reviews

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Review of Being the Ricardos (2021)

By Robert Daniels (336) for The Playlist (3,871) on 07 Dec 2021

Being the Ricardos isn’t a total disaster, but it’s not a grand triumph either…

Review of Dreamland: The Burning of Black Wall Street (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 30 Nov 2021

After the story of the Tulsa Massacre entered the national consciousness because of Damon Lindelof’s “Watchmen” and Misha Green’s “Lovecraft…

Review of She Paradise (2021)

By Robert Daniels (336) for The Playlist (3,871) on 18 Nov 2021

She Paradise is a love letter not only to the autonomy of a young Black woman but the culture of a proud island nation, too…

Review of Bruised (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 17 Nov 2021

Berry’s Bruised is a familiar comeback tale relying on the inner-city motifs of 1990s hood films to deliver a melodramatic, barely coherent…

Review of Red Notice (2021)

By Robert Daniels (336) for Polygon (677) on 04 Nov 2021

Featuring a trio of supposed movie stars who lack the panache or charisma of true marquee headliners, Red Notice is another visually ghastly…

Review of Army of Thieves (2021)

By Robert Daniels (336) for Polygon (677) on 29 Oct 2021

Schweighöfer’s prequel fails to offer the same level of excitement or gore as Snyder’s film…

Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Robert Daniels (336) for Polygon (677) on 22 Oct 2021

The French Dispatch is probably the worst film of the director’s career. But even his worst effort is worth biting the bullet for…

Review of Venom: Let There Be Carnage (2021)

By Robert Daniels (336) for Los Angeles Times (12,977) on 30 Sep 2021

It’s not the promised spectacle that cements Venom: Let There Be Carnage as touching, wild entertainment…

Review of No One Gets Out Alive (2021)

By Robert Daniels (336) for Polygon (677) on 30 Sep 2021

One Gets Out Alive is a desperate attempt to explore the immigration crisis through a horror lens, à la Remi Weekes’ stunning film His House…

Review of No Time to Die (2021)

By Robert Daniels (336) for The Playlist (3,871) on 28 Sep 2021

No Time to Die works best when Fukunaga and Craig work to reimagine the emotions that can drive a Bond movie…

Review of The Most Beautiful Boy in the World (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 27 Sep 2021

The Most Beautiful Boy in the World isn’t a perfect watch, and it's often confusing and confounding…

Review of The Tragedy of Macbeth (2021)

By Robert Daniels (336) for The Playlist (3,871) on 24 Sep 2021

Coen’s The Tragedy of Macbeth is the kind of visionary art that happens when a group of artists, at the top of their game, assemble to work…

Review of The Tragedy of Macbeth (2021)

By Robert Daniels (336) for The Playlist (3,871) on 24 Sep 2021

Coen’s The Tragedy of Macbeth is the kind of visionary art that happens when a group of artists, at the top of their game, assemble to work…

Review of The Humans (2021)

By Robert Daniels (336) for The Playlist (3,871) on 18 Sep 2021

As a film, The Humans provides serrated frights and big challenges for its actors, but ultimately, it is too cold and never believable enough…

Review of Montana Story (2022)

By Robert Daniels (336) for IndieWire (3,631) on 17 Sep 2021

Montana Story doesn’t reinvent the Western wheel. Rather it offers tender mercies as a sentimental work that explodes in well-earned fury…

Review of Beba (2022)

By Robert Daniels (336) for IndieWire (3,631) on 17 Sep 2021

Without hesitation, she talks about her own shortcomings too…

Review of Memoria (2021)

By Robert Daniels (336) for Polygon (677) on 17 Sep 2021

Weerasethakul’s Memoria doesn’t give too many answers. It moves at an interminable pace…

Review of Spencer (2021)

By Robert Daniels (336) for Polygon (677) on 17 Sep 2021

Spencer is an act of psychological horror, a kind of ghost story, and a survivalist picture carried by an uncannily immersive Kristen Stewart,…

Review of Attica (2021)

By Robert Daniels (336) for IndieWire (3,631) on 17 Sep 2021

A harrowing piece of filmmaking, and a fitting, powerful remembrance of those who fought for their humanity…

Review of The Power of the Dog (2021)

By Robert Daniels (336) for Polygon (677) on 15 Sep 2021

The Power of the Dog doesn’t just mark Campion’s return — it’s the best movie of 2021 so far…

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