Movie Reviews by Robert Daniels - Page 5 of 17

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Review of The Unbearable Weight of Massive Talent (2022)

By Robert Daniels (336) for The Playlist (3,871) on 13 Mar 2022

In Gormican’s uproarious The Unbearable Weight of Massive Talent, Cage delivers a crowd-pleasing triumph that reminds audiences that he’s…

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Review of Everything Everywhere All at Once (2022)

By Robert Daniels (336) for The Playlist (3,871) on 12 Mar 2022

In Everything Everywhere All At Once, a dizzying and aching bit of popcorn entertainment, in fact, Yeoh has never been better…

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Review of The Lost City (2022)

By Robert Daniels (336) for IndieWire (3,631) on 12 Mar 2022

The Lost City might not be as majestic or breathtaking as its loftier influences, but it is the swooning stuff that great romance novels are made of…

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Review of The Batman (2022)

By Robert Daniels (336) for The Playlist (3,871) on 28 Feb 2022

Matt Reeves’ The Batman should tell audiences that other superhero movies are possible, and yet more, they can be had outside the formulaic…

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Review of Cyrano (2021)

By Robert Daniels (336) for Polygon (677) on 28 Feb 2022

Not only do Wright and Dinklage fashion an unrequited anguish worth crying over, again and again. Cyrano is the best movie musical of the last decade…

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Review of Lucy and Desi (2022)

By Robert Daniels (336) for IndieWire (3,631) on 28 Jan 2022

Smart and affecting ... It’s not flashy. It’s not often revelatory for any super fans, or even anyone who watched Being the Ricardos…

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Review of Honk for Jesus. Save Your Soul. (2022)

By Robert Daniels (336) for The Playlist (3,871) on 26 Jan 2022

Through Brown and especially Hall’s fully committed performances, scenes like this and “bless your heart,” which move in both potent…

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Review of You Won't Be Alone (2022)

By Robert Daniels (336) for The Playlist (3,871) on 26 Jan 2022

Stolevski aims for a life-affirming treatise on the poetics of human existence but strains to be more than a pretty copy of his well-known influences…

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Review of Hatching (2022)

By Robert Daniels (336) for The Playlist (3,871) on 26 Jan 2022

Hatching, a smartly constructed fright machine, not only introduces a new and exciting voice to the horror landscape but cracks its way through…

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Review of Breaking (2022)

By Robert Daniels (336) for The Playlist (3,871) on 23 Jan 2022

The star-studded cast does good, dependable work…

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Review of A Love Song (2022)

By Robert Daniels (336) for IndieWire (3,631) on 22 Jan 2022

Both Dickey and Studi shoulder the lesser material through a charming naturalism that papers over the script’s artificiality…

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Review of Emergency (2022)

By Robert Daniels (336) for The Playlist (3,871) on 22 Jan 2022

It’s the unbreakable friendship between Kunle and Sean, the ways their time together, good or bad in college, will mark how they see the…

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Review of Who We Are: A Chronicle of Racism in America (2022)

By Robert Daniels (336) for Los Angeles Times (12,977) on 13 Jan 2022

Who We Are, a revelatory, albeit stiff documentary, anchored by Robinson’s personal anecdotes and footage of his 2018 lecture at New York…

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Review of The 355 (2022)

By Robert Daniels (336) for Polygon (677) on 06 Jan 2022

Though The 355 tries to maneuver with the kinetic verve of a globetrotting adventure, the marks of shooting on generic sets are all over this film…

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Review of The Lost Daughter (2021)

By Robert Daniels (336) for Polygon (677) on 06 Jan 2022

It’s difficult to believe The Lost Daughter is Gyllenhaal’s feature directorial debut…

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Review of The Matrix Resurrections (2021)

By Robert Daniels (336) for The Playlist (3,871) on 21 Dec 2021

Wachowski’s The Matrix Resurrections, a fun, albeit messy metatextual sequel that struggles to find its narrative footing, soars whenever…

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Review of Encounter (2021)

By Robert Daniels (336) for Polygon (677) on 14 Dec 2021

If Pearce weren’t so heavy-handed, if were just self-aware enough to know how to connect character with metaphor, then Encounter, a flawed…

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Review of Encounter (2021)

By Robert Daniels (336) for Polygon (677) on 14 Dec 2021

If Pearce weren’t so heavy-handed, if were just self-aware enough to know how to connect character with metaphor, then Encounter, a flawed…

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Review of Encounter (2021)

By Robert Daniels (336) for Polygon (677) on 14 Dec 2021

If Pearce weren’t so heavy-handed, if were just self-aware enough to know how to connect character with metaphor, then Encounter, a flawed…

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Review of The Unforgivable (2021)

By Robert Daniels (336) for Polygon (677) on 09 Dec 2021

Despite a deep ensemble led by a transformative Bullock, Unforgivable moves at a turgid pace, lacking the urgency and pathos required in a…

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