Movie Reviews by Natalia Keogan - Page 2 of 6

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Review of Significant Other (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 07 Oct 2022

Berk and Olsen take a big swing by overtly hailing far-flung influences—Spielberg, Aster, Kaufman—without overstuffing their film with…

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Review of Catherine Called Birdy (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 23 Sep 2022

If Catherine Called Birdy falters at any point, it’s during the film’s conclusion…

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Review of Nothing Compares (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 23 Sep 2022

What remains so compelling about O’Connor is that she actually used her popularity to challenge powerful institutions well before anyone…

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Review of Clerks III (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 13 Sep 2022

Clerks III is far from a perfect film…

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Review of Dos estaciones (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 09 Sep 2022

Having grown up in Atotonilco El Alto, Jalisco, across the street from a tequila factory owned by his grandfather, González imbues the film…

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Review of Barbarian (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 08 Sep 2022

The deceptively simple premise of Barbarian, the horror debut from writer/director Zach Cregger, is enough to induce genuine goosebumps…

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Review of The Territory (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 19 Aug 2022

There is plenty of upsetting evidence concerning humanity’s vile indifference to ecological disaster and genocide in The Territory, but there…

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Review of Spin Me Round (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 18 Aug 2022

Ambiguous, open-ended storytelling is by no means a defect in its own right, but Spin Me Round becomes increasingly frustrating in its tendency…

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Review of Medusa (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 28 Jul 2022

The film acts as a giallo thriller, a modern update to Lizzie Borden’s Born in Flames and the latest entry in Brazil’s anti-Bolsonaro fantasy…

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Review of Medusa (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 28 Jul 2022

The film acts as a giallo thriller, a modern update to Lizzie Borden’s Born in Flames and the latest entry in Brazil’s anti-Bolsonaro fantasy…

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Review of Medusa (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 28 Jul 2022

The film acts as a giallo thriller, a modern update to Lizzie Borden’s Born in Flames and the latest entry in Brazil’s anti-Bolsonaro fantasy…

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Review of Aftershock (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 19 Jul 2022

In exposing the horrifying reality of giving birth while Black—and providing tangible alternatives for increasingly dangerous hospital births—Aftershock…

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Review of Anonymous Club (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 14 Jul 2022

Though Cohen has made a formidable name for himself in the visual aesthetics of rock ‘n’ roll, his feature debut is unfocused and emotionally…

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Review of Murina (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 07 Jul 2022

While the script co-written by Kusijanovic and Frank Graziano is hardly revelatory, Murina is nonetheless a strong directorial effort from…

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Review of Blasted (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 29 Jun 2022

Silently dumped onto Netflix and non-existent as an entry on Letterboxd, Blasted is a perfectly fine sci-fi comedy destined to fade into obscurity…

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Review of The Man from Toronto (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 24 Jun 2022

While the Netflix Original film manages to sneak in a few genuinely funny moments, it’s not nearly as action-packed, suspenseful or humorous…

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Review of Good Mourning (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 23 May 2022

If you’re looking for an inconsequential way to spend an hour and a half, Good Mourning boasts familiar faces wandering aimlessly through…

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Review of Montana Story (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 16 May 2022

An intimate drama about a family disbanded by abuse, Montana Story is superbly acted, but lacks a formidable narrative capable of carrying…

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Review of Along for the Ride (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 06 May 2022

Honestly, though, Along for the Ride is perfectly cozy, in part due to its formulaic nature…

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Review of Hatching (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 26 Apr 2022

Considering the constant glut of mid-tier horror, it’s refreshing to encounter a film that’s rooted in traditional genre filmmaking without…

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Natalia Keogan has written reviews for:

Paste Magazine (2,906)

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