Movie Reviews by Natalia Keogan - Page 4 of 6

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Review of Zeros and Ones (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 18 Nov 2021

Bolstered by a sharply competent central performance as well as darkly intoxicating shots of an ancient city, Zeros and Ones is an act of artistic…

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Review of Hive (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 08 Nov 2021

Far more interested in unpacking the pervasive misogynistic sentiments in Kosovo than the actual war itself, the film is pointed in its chosen…

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Review of A Cop Movie (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 05 Nov 2021

A Cop Movie is artistic activism at its finest, carefully treading the line of fact and fiction in a manner that illuminates rather than obfuscates…

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Review of Dead & Beautiful (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 04 Nov 2021

What could have been a cogent critique of the parasitic nature between the uber-wealthy and the labor they exploit is instead an overly muted…

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Review of Night Teeth (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 19 Oct 2021

Particularly when it comes to charming lead performances and superficial cameo appearances from Megan Fox and Sydney Sweeney, Night Teeth delivers…

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Review of Women Is Losers (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 18 Oct 2021

Feliciano’s effort is particularly marred by hackneyed tropes…

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Review of Wheel of Fortune and Fantasy (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 15 Oct 2021

Though [Hamaguchi's] highly anticipated Drive My Car distills these musings in a slightly more meticulous manner, Wheel of Fortune and Fantasy…

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Review of Parallel Mothers (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 12 Oct 2021

Particularly paired with Cruz’s knockout performance of a woman whose life endures the legacy left by the trauma of her family’s unresolved…

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Review of Dune (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 08 Oct 2021

Though it remains true to the first part of the text’s unhurried pace and detailed world building, Villeneuve’s adaptation feels overlong…

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Review of Memoria (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 06 Oct 2021

Time melts beyond its tangible limits when watching Memoria, resulting in an audiovisual trance disorienting in its peculiar placidity…

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Review of C'mon C'mon (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 05 Oct 2021

In amplifying the diverse voices of American children through the film’s radio vérité subplot, C’mon C’mon proves that kids have some…

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Review of Red Rocket (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 29 Sep 2021

By way of candid humor, a magnetic performance from Rex and Baker’s careful attention for authenticity, Red Rocket is a sympathetic profile…

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Review of The Souvenir: Part II (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 28 Sep 2021

As a standalone film, The Souvenir provides Hogg with the means to articulate and meditate on her past, creating a work that is bleakly beautiful…

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Review of Drive My Car (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 27 Sep 2021

Though Drive My Car reaches a significantly less smoldering conclusion than Burning, it channels a similar feeling of catharsis…

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Review of The Tragedy of Macbeth (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 27 Sep 2021

Joel Coen’s Macbeth lacks risk, ingenuity and, most importantly, reward…

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Review of The Tragedy of Macbeth (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 27 Sep 2021

Joel Coen’s Macbeth lacks risk, ingenuity and, most importantly, reward…

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Review of Benedetta (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 21 Sep 2021

The carnal Catholicism which permeates the film is at this point to be expected from the 83-year-old Dutch filmmaker—but equally so is the…

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Review of No Man of God (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 31 Aug 2021

No Man of God ultimately benefits from a woman helming a story about Bundy, as it provides nuance to even the ancillary female presence in…

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Review of Demonic (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 19 Aug 2021

For all of its lackluster holy leanings, Demonic still achieves an air of abject horror, aided in no small part by Ola Strandh’s electro-exorcism…

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Review of A Classic Horror Story (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 13 Jul 2021

Despite a visual slickness coupled with certain scenes of striking brutality, A Classic Horror Story circles the blood-drenched drain of horror…

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Natalia Keogan has written reviews for:

Paste Magazine (2,906)

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