Movie Reviews by Natalia Keogan - Page 6 of 6

101-119 of 119 Reviews

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Review of The United States vs. Billie Holiday (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 25 Feb 2021

The overlong and tedious film opts for rudimentary Oscar-bait trappings and a crudely voyeuristic portrayal of the renowned jazz singer—a…

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Review of PVT Chat (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 05 Feb 2021

The stylistic intentions of PVT Chat welcome not only a rigorous examination of our own personal proclivities, but a sincere respect for the…

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Review of El Planeta (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 02 Feb 2021

The frequently complicated relationship between mother and daughter has fostered plenty of cinematic investigation, but El Planeta easily distinguishes…

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Review of Cryptozoo (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 01 Feb 2021

Interested in interrogating the exploitation of fantasy and imagination for human consumption, Shaw’s psychedelic, patently adult animated…

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Review of Freaky (2020)

By Natalia Keogan (119) for Paste Magazine (2,906) on 10 Dec 2020

Director Christopher Landon’s Freaky effortlessly weaves together the conventions of Freaky Friday and Friday the 13th, eschewing the confines…

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Review of Ammonite (2020)

By Natalia Keogan (119) for Paste Magazine (2,906) on 25 Nov 2020

What is most puzzling about Ammonite is its dedication to playing up the ridiculous, misogynistic leanings inherent of the time while simultaneously…

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Review of Nomadland (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 07 Oct 2020

Compared to the stark comparison in Camperforce of Jeff Bezos’ unparalleled global wealth to the fact that nearly one-third of American households…

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Review of The Human Voice (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 07 Oct 2020

Instead of acting as a short, satisfying jaunt through Almodóvar’s aesthetic, The Human Voice is an exercise in deconstructing the very…

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Review of City Hall (2020)

By Natalia Keogan (119) for Paste Magazine (2,906) on 07 Oct 2020

Wiseman’s top-down approach to looking at government is both effective at sketching out the priorities of those in charge as well as demonstrating…

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Review of La Llorona (2020)

By Natalia Keogan (119) for Paste Magazine (2,906) on 07 Oct 2020

Guatemalan director Jayro Bustamente posits that when the national narrative refuses to recognize the atrocities its own country committed…

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Review of The Human Voice (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 07 Oct 2020

Instead of acting as a short, satisfying jaunt through Almodóvar’s aesthetic, The Human Voice is an exercise in deconstructing the very…

Read Review

Review of La Llorona (2019)

By Natalia Keogan (119) for Paste Magazine (2,906) on 07 Oct 2020

Guatemalan director Jayro Bustamente posits that when the national narrative refuses to recognize the atrocities its own country committed…

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Review of I Used to Go Here (2020)

By Natalia Keogan (119) for Paste Magazine (2,906) on 20 Aug 2020

For a film with multiple power imbalances, I Used to Go Here never dares betray its light and breezy tone in order to properly explore these…

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Review of Relic (2020)

By Natalia Keogan (119) for Paste Magazine (2,906) on 16 Jul 2020

Relic posits that old age is not something to be reviled or worshiped, instead viewing aging as a continual process as opposed to a fearful spectre…

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Review of Spaceship Earth (2020)

By Natalia Keogan (119) for Paste Magazine (2,906) on 28 May 2020

Spaceship Earth provides us with a keepsake of a moment forgotten by collective memory after the project it depicts was coopted by others to…

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Review of Selah and the Spades (2019)

By Natalia Keogan (119) for Paste Magazine (2,906) on 07 May 2020

Poe’s steady hand keeps the balance between realistic teen drama and the crime genre, allowing its examination of melodrama surrounding betrayal,…

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Review of Sea Fever (2020)

By Natalia Keogan (119) for Paste Magazine (2,906) on 23 Apr 2020

While Hardiman couldn’t have foreseen the elevated commentary her film would take on six months after its TIFF debut, it’s refreshing to…

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Review of First Cow (2020)

By Natalia Keogan (119) for Paste Magazine (2,906) on 12 Mar 2020

If the film wants to implore us to understand the essence of man, how its portrayal of burgeoning American capitalism and entrepreneurial spirit…

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Review of Portrait of a Lady on Fire (2019)

By Natalia Keogan (119) for Paste Magazine (2,906) on 06 Feb 2020

Even more powerful than Sciamma’s portrayal of a feminine portrait of solidarity and desire is the statement that art is not exclusive to…

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Natalia Keogan has written reviews for:

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