Movie Reviews by Mauro_Lanari - Page 4 of 34

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Review of A Man Called Otto (2022)

By Mauro_Lanari (665) on 18 Mar 2023

(Mauro Lanari) Mr and Mrs Hanks produce a consolatory, pleasurable and feel-good movie packaged in a blatantly ruffian, manipulative and tear-jerking…

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Review of Wire Room (2022)

By Mauro_Lanari (665) on 17 Mar 2023

(Mauro Lanari) The quackish script inserts by right Wire Room into the hilarious CineTel-style trash movies, saving Willis, here perhaps in…

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Review of Chang Can Dunk (2023)

By Mauro_Lanari (665) on 16 Mar 2023

(Mauro Lanari) For vloggers and their mothers, I don't fit into either category, and anyway the concluding repentance doesn't balance the awkward…

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Review of Babylon (2022)

By Mauro_Lanari (665) on 09 Mar 2023

(Mauro Lanari) The elephant was already placed at the symbolic center of Hollywood in Good Morning Babilonia, Taviani brothers '87, one of…

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Review of The Fabelmans (2022)

By Mauro_Lanari (665) on 09 Mar 2023

(Mauro Lanari) Poor little one: he suffered from family breakup and anti-Semitic bullying, reminding us of this in almost every film of his…

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Review of Babylon (2022)

By Mauro_Lanari (665) on 09 Mar 2023

(Mauro Lanari) The elephant was already placed at the symbolic center of Hollywood in Good Morning Babilonia, Taviani brothers '87, one of…

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Review of 9 Bullets (2022)

By Mauro_Lanari (665) on 05 Mar 2023

(Mauro Lanari) Bad movie as story, screenplay, dialogues, shots, music, acting, editing: too expensive cast…

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Review of Paradise City (2022)

By Mauro_Lanari (665) on 04 Mar 2023

(Mauro Lanari) Bruce is ill and super-rich, why doesn't he retire and enjoy his accumulated fortune…

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Review of Good Luck to You, Leo Grande (2022)

By Mauro_Lanari (665) on 01 Mar 2023

(Mauro Lanari) Former religion teacher and therefore bigoted, Desperate Widow discovers the importance of accepting one's body, it is not clear…

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Review of Somebody I Used to Know (2023)

By Mauro_Lanari (665) on 28 Feb 2023

(Mauro Lanari) For Valentine's Day Alison Brie comes up with the idea that not being manipulative by getting naked should be understood in…

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Review of Wild Men (2022)

By Mauro_Lanari (665) on 24 Feb 2023

(Mauro Lanari) The unresolved drama of Civilization and Its Discontents (Freud '29-'30) that the Danish director treats as grotesque, amusing,…

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Review of Utama (2022)

By Mauro_Lanari (665) on 22 Feb 2023

(Mauro Lanari) A first work winner of the Grand Jury Prize at Sundance but dispersive, wavering and contradictory: it laps environmentalism,…

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Review of Luce (2019)

By Mauro_Lanari (665) on 20 Feb 2023

(Mauro Lanari) Even in culture, art and cinema there is a difference between local and global themes: I consider the first to be nationalisms,…

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Review of Your Place or Mine (2023)

By Mauro_Lanari (665) on 17 Feb 2023

(Mauro Lanari) On Valentine's Day Netflix launches another debutante to direct a romcom that works only at times, not so much for a certain…

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Review of Both Sides of the Blade (2022)

By Mauro_Lanari (665) on 12 Feb 2023

(Mauro Lanari) As states the title of the 2018 book by Christine Angot on which the film she co-wrote the screenplay is based, Binoche's Sara…

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Review of Empire of Light (2022)

By Mauro_Lanari (665) on 09 Feb 2023

(Mauro Lanari) Olivia Colman is the female counterpart of Casey Affleck: if there are them, there must be a drama, more often a false drama…

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Review of Triangle of Sadness (2022)

By Mauro_Lanari (665) on 08 Feb 2023

(Mauro Lanari) Inconclusive except in the two fleeting moments dominated by the soundtrack: during the opening credits with Suicide's Ghost…

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Review of Violent Night (2022)

By Mauro_Lanari (665) on 06 Feb 2023

(Mauro Lanari) The film begins with an exhilarating serious scene: Santa Claus throwing away gifts when he finds Amazon packages under the…

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Review of True Spirit (2023)

By Mauro_Lanari (665) on 05 Feb 2023

(Mauro Lanari) Average survival biopic: well, it's ok…

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Review of Mrs. Harris Goes to Paris (2022)

By Mauro_Lanari (665) on 01 Feb 2023

(Mauro Lanari) I haven't understood why Mrs…

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