Movie Reviews by Mauro_Lanari - Page 14 of 34

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Review of My Son (2021)

By Mauro_Lanari (665) on 26 Jan 2022

(Mauro Lanari) Taken with the script written on a coriander. Nothing else to add…

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Review of A Call to Spy (2019)

By Mauro_Lanari (665) on 24 Jan 2022

(Mauro Lanari) The emotion would have been more intense if Pilcher had avoided the rhetoric of those who remained far from the front, however…

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Review of Munich - The Edge of War (2021)

By Mauro_Lanari (665) on 23 Jan 2022

(Mauro Lanari) Two years ago George MacKay had already been the protagonist of 1917 and I find it interesting to compare the two films, the…

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Review of Prisoners of the Ghostland (2021)

By Mauro_Lanari (665) on 22 Jan 2022

(Mauro Lanari) In the first English-language film of Sono the speeches about guilt, frustrated femininity, the narcissism of the system, are…

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Review of The Tragedy of Macbeth (2021)

By Mauro_Lanari (665) on 21 Jan 2022

(Mauro Lanari) Mr and Mrs Coen replace the Coen brothers in a film with explicit bombastic formal debts and the folly of using the words of…

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Review of The Tragedy of Macbeth (2021)

By Mauro_Lanari (665) on 21 Jan 2022

(Mauro Lanari) Mr and Mrs Coen replace the Coen brothers in a film with explicit bombastic formal debts and the folly of using the words of…

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Review of The Ballad of Buster Scruggs (2018)

By Mauro_Lanari (665) on 20 Jan 2022

(Mauro Lanari) If death does not make concessions to anyone, then it is not clear whether it is more correct that the stories follow one another…

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Review of Coming Home in the Dark (2021)

By Mauro_Lanari (665) on 18 Jan 2022

(Mauro Lanari) Another revenge film: Ashcroft is in his debut, he's still in time to change profession…

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Review of Greed (2020)

By Mauro_Lanari (665) on 17 Jan 2022

Among the many negative consequences of the pandemic there is also the disappearance of independent cinema: by now financiers, producers, distributors…

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Review of Greed (2019)

By Mauro_Lanari (665) on 17 Jan 2022

Among the many negative consequences of the pandemic there is also the disappearance of independent cinema: by now financiers, producers, distributors…

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Review of Greta (2019)

By Mauro_Lanari (665) on 14 Jan 2022

(Mauro Lanari) Explaining practically nothing of the causes of the protagonist's mental instability (loneliness: really…

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Review of Redemption Day (2021)

By Mauro_Lanari (665) on 13 Jan 2022

(Mauro Lanari) The director uses his own debut to show his technical skills with drones, long takes and sequence shots, waiting for a script…

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Review of Settlers (2021)

By Mauro_Lanari (665) on 12 Jan 2022

(Mauro Lanari) Why does Remmy end up with an ear piercing? Was she really on Mars or was it a metaphor…

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Review of The Card Counter (2021)

By Mauro_Lanari (665) on 10 Jan 2022

(Mauro Lanari) Schrader and Scorsese are employing two entire filmographies to express a poetic that Ferrara and St…

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Review of The Tender Bar (2021)

By Mauro_Lanari (665) on 08 Jan 2022

(Mauro Lanari) The film's mood and feeling are enclosed in its final song, Do It Again by Steely Dan, an extraordinary track from 1972 albeit…

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Review of Antlers (2021)

By Mauro_Lanari (665) on 06 Jan 2022

(Mauro Lanari) Cooper hopes his several ideas would somehow stick and Antlers strives to be a supernatural horror rooted in indigenous folklore,…

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Review of Dune (2021)

By Mauro_Lanari (665) on 06 Jan 2022

(Mauro Lanari) Mirrors and copulation are abominable, since they both multiply the numbers of men (Borges, 1940)…

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Review of The Harder They Fall (2021)

By Mauro_Lanari (665) on 02 Jan 2022

(Mauro Lanari) The more the pop star Jeymes Samuel insists on making his directorial debut something unusual (reggae and split screen in a…

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Review of The Hand of God (2021)

By Mauro_Lanari (665) on 01 Jan 2022

(Mauro Lanari) Sorrentino racconta il proprio adolescenziale oro di Napoli schiantato in due dalla morte dei protagonisti, I suoi genitori…

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Review of Being the Ricardos (2021)

By Mauro_Lanari (665) on 29 Dec 2021

(Mauro Lanari) Sorkin signs another film thematising the importance of his own role as a screenwriter and of his own political commitment against…

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